Besides rocks, one of the most basic of all weapons throughout mankind's history across most cultures has been the long wooden stick. This makes sense since sticks were always readily available in the forests or could be easily made. The Asian martial arts took the long wooden staff into an art form as many martial art styles include the long staff in their systems. Some styles even have traditional weapons forms or katas featuring the long staff. Some systems of martial arts train with weapons such as the staff through practical techniques only without the use of set forms.
Unlike many martial art weapons such as swords, knives, kamas and sais which are short range, staffs are long range weapons with superior reach. This enables the user to attack and defend from a distance which can be frustrating from the point of view of an opponent who has a short range weapon. Long range weapons are also useful in keeping multiple opponents out of reach too. Of course, long weapons such as the staff cannot be easily concealed like short range weapons so they can be cumbersome to carry around.
One of the most popular martial arts weapons from the Japanese karate styles is the bo. Even today, the bo is usually the first weapon taught at karate schools and is the most common weapon seen at tournaments. The bo staff comes in different variations. There are heavy bo staffs which resemble thick poles which are considered more traditional and there are lighter versions which are tapered at both ends. There are also multi-sided bo staffs such as octagonal but these are much less common than the usual round, circular versions.
Although there are one handed swings, most bo techniques involve both hands holding the weapon. Various strikes and blocks can be performed with either end of the bo as well as the sides and middle. Bo users take advantage of the entire weapon as techniques can be executed with any part of the bo. For the majority of techniques involving the bo, the user holds the staff near the middle with both ends protruding out equally. Traditionally, the lead hand (furthest away from the body) has been the right hand.
Contemporary weapons forms competitions have caused the bo to evolve where competitors now use extremely lightweight bo's and some even have reflective finishes giving a more flashy visual appearance when the user is performing a bo form. Unlike traditional bo forms, contemporary creative open forms with the bo involve more complex spins and even tosses. Some martial artists do not consider some of the modern bo forms observed in the competition circuits to be true weapons forms as some competitors emphasize too much baton-like twirling action rather than actual combative techniques. It could very well be a matter of personal taste. This is why in most of the large open martial arts tournaments, weapons divisions are split into traditional and creative.
Chinese kung fu styles also utilize the long staff although there are some differences in techniques when compared to Japanese karate styles. Instead of holding the weapon in the middle most of the time like a bo is held, Chinese staffs are usually held near one end which has the effect of elongating the weapon even more. Taditionally, the lead hand is the left hand with the right holding the bottom end of the staff. However, there are techniques which involve switching sides as well as using the bottom end to strike too. In addition to strikes executed while holding the weapon with both hands, there are more single handed techniques with Chinese staffs than with Japanese bo staffs. Like their empty hand kung fu forms, Chinese staff forms have more circular, swinging techniques than in Japanese karate styles.
Contemporary wushu forms use a much lighter weapon than in traditional kung fu staff forms. Wushu stylists also use staffs or cudgels that are made of a unique white wax wood from trees that are grown only in China. Staffs made of this type of wood are not made with precision like Japanese bo's. The wushu staffs are naturally tapered with a thicker bottom and thinner top. The white wax wood is extremely resilient as users of this type of Chinese staff perform techniques which involve smashing the entire weapon on the floor at full force.
Korean kuk sul won also has the long staff in their system and the techniques used are like a blend of Chinese and Japanese moves. Although all martial arts styles that utilize weaponry have more complex and possibly more impressive looking weapons, the long staff has remained to be a favorite for many martial artists.
Tuesday, 15 May 2012
Thursday, 10 May 2012
The Martialarm Introduction To Hapkido
Hapkido practitioner becomes well-versed in many kicks, punches, and blocks. From Aiki-Jujitsu (the predecessor of Aikido) it gets most of its grappling techniques. Hence, the Hapkido practitioner spends an equated volume of time learning techniques such as throws and joint locks. The advantage of studying Hapkido versus studying one striking style and one grappling style is that the practitioner learns to use the two approaches to flatter one another. For example, a Hapkido artist would use a punch to disrupt her training partner while a challenging throw is set up. Conversely, a Hapkido performer can turn around or off-balance his opponent to decrease their knack to defend against a kick. Along these same lines, the Hapkido performer learns to counter in the opposite manner of an strike, hence mystifying the foe. As such, linear attacks are countered with a roundish technique and spherical attacks are countered with a linear technique. Hapkido artists furthermore become skilled at vital targets and pressure points in order to immobilise their attacker as fast as imaginable.
Hapkido - Very similar to traditional Hapkido, this contemporary version uses Muay Thai striking techniques as a replacement of getting its strikes.
Hapkido is a brand of self-defense that employs joint locks, pressure points, throws, kicks, and other strikes. Hapkido practitioners learn to counter the techniques of other martial arts as well as common "unskilled" attacks. There is also a range of traditional weapons including short stick, cane, rope, sword and staff which adjust in emphasis depending on the particular tradition examined.
Albeit hapkido consist of both long and close range fighting techniques, the objective of most engagements is to get near for a close punch, lock, or throw. Hapkido emphasizes spherical motion, non-resisting movements, and ownership of the adversary. Practitioners seek to get advantage by the use of footwork and body positioning to employ leverage, avoiding the use of strength against strength.
On the "hard-soft" scale of martial arts, hapkido stands everyplace in the center, employing "soft" techniques similar to jujitsu and aikido as well as "hard" techniques reminiscent of taekwondo and tangsoodo. Even the "hard" techniques, though, emphasize spherical rather than linear movements. Hapkido is an eclectic martial art, and different hapkido schools emphasize varied techniques. Then again, some core techniques are found in each school (kwan), and all techniques should follow the three principles of hapkido:
Right Hapkido tactics include using footwork and a series of kicks and hand strikes to bridge the distance with an foe. Afterward to instantaneously control the balance of the rival (naturally by manipulating the head and neck), for a take down or to isolate a wrist or arm and apply a joint twisting throw, depending upon the situation; Hapkido is a comprehensive system and as the rival's balance has been taken, there are a myriad of techniques to disable and overcome the foe.
Hapkido endeavors to be a absolutely comprehensive fighting style and as such strives to keep away from narrow specialization in any particular variety of technique or range of fighting. It maintains a wide range of tactics for striking, standing jointlocks, throwing techniques (both pure and joint manipulating throws) and pinning techniques. some classes as well incorporate tactics for ground fighting notwithstanding these tactics readily tend to be focused upon escaping, controlling, striking and gouging tactics over submissions and emphasizing the capability to take one's feet and situational awareness over pins.
Like most martial arts, hapkido employs a great number of punches and hand strikes, as well as elbow strikes. A distinctive example of hapkido hand techniques is "live hand" punch that focuses energy to the baek hwa hyul in the hand, causing energy strikes and internal strikes. The hand strikes are readily used to weaken the training partner ahead of joint locking and throwing, and additionally as finishing techniques. Hand striking in hapkido (unless in competition) is not localized to punches and open hand striking; some significance is given to striking with talons at the throat and eyes; pulling at the foe's genitals is also covered in established training. in order to recall hand strikes more easily in an emotionally charged situation, beginning students are taught usual, effective routines of blocks and counterattacks called Makko Chigi, which results to more compound techniques as the student becomes familiar with them.
A good deal of of hapkido's joint control techniques are cited to be derived largely From aikijujutsu. They are taught additionally to aikido techniques, but in general the circles are lesser and the techniques are applied in a more linear fashion. Hapkido's joint manipulation techniques attack both large joints (such as the elbow, shoulder, neck, back, knee, and hip) and small joints (such as wrists, fingers, ankles, toes, jaw)
Wristlocks Hapkido is well accepted for its use of a wide variety of wristlocks. These techniques are believed to have been derived From Daito-ryu aikijujutsu even though their manner of performance is not always alike to that of the parent art. Still many of the tactics found in hapkido are quite similar to those of Daito-ryu and of aikido which was derived From that art. These involve such tactics as the supinating wristlock, pronating wristlock, internal rotational wristlock and the utilizing of pressure points on the wrist and are ordinary to many types of Japanese jujutsu, Chinese qin na and even 'catch as catch can' brawling.
Elbowlocks Even if well recognized for its wristlocking techniques hapkido has an equally wide range of tactics which centre upon the manipulation of the elbow joint (see armlocks). The first self defense technique typically taught in many hapkido schools is the knifehand elbow press. This technique is thought to be derived From Daito-ryu's ippondori, a development of disarming and destroying the elbow joint of a sword wielding foe. Hapkido classically introduces this technique off a wrist grabbing strike where the defender makes a roundish movement with his hands to free themselves From their foe's grasp and applies a pronating wristlock while cutting down upon the elbow joint with their forearm, taking their rival down to the ground where an elbow lock is administered with one's hand or knee to immobolize the attacker in a pin. Interestingly both Daito-ryu and aikido opt for to use handpressure on the elbow during the technique rather than using the forearm as a 'hand blade', cutting the into elbow joint, in the hapkido manner.
Hapkido training can be realized in any city in the world and I encourage you to visit out martial arts directory of Hapkido to find a school near you!
Hapkido - Very similar to traditional Hapkido, this contemporary version uses Muay Thai striking techniques as a replacement of getting its strikes.
Hapkido is a brand of self-defense that employs joint locks, pressure points, throws, kicks, and other strikes. Hapkido practitioners learn to counter the techniques of other martial arts as well as common "unskilled" attacks. There is also a range of traditional weapons including short stick, cane, rope, sword and staff which adjust in emphasis depending on the particular tradition examined.
Albeit hapkido consist of both long and close range fighting techniques, the objective of most engagements is to get near for a close punch, lock, or throw. Hapkido emphasizes spherical motion, non-resisting movements, and ownership of the adversary. Practitioners seek to get advantage by the use of footwork and body positioning to employ leverage, avoiding the use of strength against strength.
On the "hard-soft" scale of martial arts, hapkido stands everyplace in the center, employing "soft" techniques similar to jujitsu and aikido as well as "hard" techniques reminiscent of taekwondo and tangsoodo. Even the "hard" techniques, though, emphasize spherical rather than linear movements. Hapkido is an eclectic martial art, and different hapkido schools emphasize varied techniques. Then again, some core techniques are found in each school (kwan), and all techniques should follow the three principles of hapkido:
Right Hapkido tactics include using footwork and a series of kicks and hand strikes to bridge the distance with an foe. Afterward to instantaneously control the balance of the rival (naturally by manipulating the head and neck), for a take down or to isolate a wrist or arm and apply a joint twisting throw, depending upon the situation; Hapkido is a comprehensive system and as the rival's balance has been taken, there are a myriad of techniques to disable and overcome the foe.
Hapkido endeavors to be a absolutely comprehensive fighting style and as such strives to keep away from narrow specialization in any particular variety of technique or range of fighting. It maintains a wide range of tactics for striking, standing jointlocks, throwing techniques (both pure and joint manipulating throws) and pinning techniques. some classes as well incorporate tactics for ground fighting notwithstanding these tactics readily tend to be focused upon escaping, controlling, striking and gouging tactics over submissions and emphasizing the capability to take one's feet and situational awareness over pins.
Like most martial arts, hapkido employs a great number of punches and hand strikes, as well as elbow strikes. A distinctive example of hapkido hand techniques is "live hand" punch that focuses energy to the baek hwa hyul in the hand, causing energy strikes and internal strikes. The hand strikes are readily used to weaken the training partner ahead of joint locking and throwing, and additionally as finishing techniques. Hand striking in hapkido (unless in competition) is not localized to punches and open hand striking; some significance is given to striking with talons at the throat and eyes; pulling at the foe's genitals is also covered in established training. in order to recall hand strikes more easily in an emotionally charged situation, beginning students are taught usual, effective routines of blocks and counterattacks called Makko Chigi, which results to more compound techniques as the student becomes familiar with them.
A good deal of of hapkido's joint control techniques are cited to be derived largely From aikijujutsu. They are taught additionally to aikido techniques, but in general the circles are lesser and the techniques are applied in a more linear fashion. Hapkido's joint manipulation techniques attack both large joints (such as the elbow, shoulder, neck, back, knee, and hip) and small joints (such as wrists, fingers, ankles, toes, jaw)
Wristlocks Hapkido is well accepted for its use of a wide variety of wristlocks. These techniques are believed to have been derived From Daito-ryu aikijujutsu even though their manner of performance is not always alike to that of the parent art. Still many of the tactics found in hapkido are quite similar to those of Daito-ryu and of aikido which was derived From that art. These involve such tactics as the supinating wristlock, pronating wristlock, internal rotational wristlock and the utilizing of pressure points on the wrist and are ordinary to many types of Japanese jujutsu, Chinese qin na and even 'catch as catch can' brawling.
Elbowlocks Even if well recognized for its wristlocking techniques hapkido has an equally wide range of tactics which centre upon the manipulation of the elbow joint (see armlocks). The first self defense technique typically taught in many hapkido schools is the knifehand elbow press. This technique is thought to be derived From Daito-ryu's ippondori, a development of disarming and destroying the elbow joint of a sword wielding foe. Hapkido classically introduces this technique off a wrist grabbing strike where the defender makes a roundish movement with his hands to free themselves From their foe's grasp and applies a pronating wristlock while cutting down upon the elbow joint with their forearm, taking their rival down to the ground where an elbow lock is administered with one's hand or knee to immobolize the attacker in a pin. Interestingly both Daito-ryu and aikido opt for to use handpressure on the elbow during the technique rather than using the forearm as a 'hand blade', cutting the into elbow joint, in the hapkido manner.
Hapkido training can be realized in any city in the world and I encourage you to visit out martial arts directory of Hapkido to find a school near you!
Saturday, 5 May 2012
Wing Chun - Chinese Martial Art
Wing Chun (also known as Wing Tsun, Ving Chun or Ving Tsun) is one of the most popular types of Chinese martial arts. Though it’s basically an unarmed combat technique, Wing Chun may include weapons as part of its course. The origin of Wing Chun can be traced back to China, but the real history of its creation has long been a topic of much debate. The most credible suggestion regarding the origin of Wing Chun dates back to 1700 AD in the Henan Shaolin Monastery.
When the Qing forces raided and ravaged the Southern Shaolin temple, a nun named Ng Mui fled to the distant Daliang Mountains, the only survivor. Ng Mui already had knowledge of Kung Fu in the Shaolin temple, which she assimilated with a new form she had learnt while observing a battle between a snake and a crane. She taught this new combat style to her adopted daughter whom she named Yimm Wing Chun. The new system was refined and then passed on from generation to generation, and was eventually named Wing Chun, after Yimm.
The modernization of Wing Chun started in Hong Kong during the 1950s under a Grandmaster called Yip Man. The discipline began to gain real popularity in Asia and the West when actor Bruce Lee became one of the most famous Wing Chun practitioners.
The Concept of Wing Chun:
Wing Chun is based on three basic principles - Practicality, Efficiency and Economy of Movement.
1. Practicality: Techniques such as Palm-up Hand (tan sau), Wing Arm (bong sau), Slapping Hand (pak sau) are designed to maim the most sensitive or vulnerable parts of the opponent’s body such as throat, groin, eyes and lower torso. Many movements and techniques in Wing Chun are often meant to be fatal.
2. Efficiency: Wing Chun does not use force against force, in order to gain the most efficient manipulation of the body's energy. It believes in accurately timed and appropriately positioned little movements, and counter-attack is based on the opponent’s own force. This concept is also called Contact Reflexes.
3. Economy of Movement: This is a linear concept in which movements are based on an imaginary pole running vertically through the center of the body. The Center Line spreads out from this Mother Line, and since most of the vital points of the body are located along the Center Line, many offensive and defensive movements are based on this line. The Central Line, on the other hand, is the shortest path between the fighters where most of the combat exchanges take place.
Wing Chun Forms:
There are three basic forms in Wing Chun:
1. Empty Hand Form: This form has three more sub-forms - Siu Nim Tao - the foundation of the art, Chum Kiu - focus on advanced footwork and entry techniques, and Biu Jee - extreme short-range or long-range techniques, low kicks and sweeps, and emergency techniques.
2. Weapon Forms: The Dragon Pole and Butterfly Swords are the two forms of weapons incorporated in Wing Chun, categorized under advanced training.
3. Wooden Dummy or the Muk Yan Jong Form: A dummy made from several wooden posts represents a human opponent. The contraption is used to perfect angle, position, and footwork.
When the Qing forces raided and ravaged the Southern Shaolin temple, a nun named Ng Mui fled to the distant Daliang Mountains, the only survivor. Ng Mui already had knowledge of Kung Fu in the Shaolin temple, which she assimilated with a new form she had learnt while observing a battle between a snake and a crane. She taught this new combat style to her adopted daughter whom she named Yimm Wing Chun. The new system was refined and then passed on from generation to generation, and was eventually named Wing Chun, after Yimm.
The modernization of Wing Chun started in Hong Kong during the 1950s under a Grandmaster called Yip Man. The discipline began to gain real popularity in Asia and the West when actor Bruce Lee became one of the most famous Wing Chun practitioners.
The Concept of Wing Chun:
Wing Chun is based on three basic principles - Practicality, Efficiency and Economy of Movement.
1. Practicality: Techniques such as Palm-up Hand (tan sau), Wing Arm (bong sau), Slapping Hand (pak sau) are designed to maim the most sensitive or vulnerable parts of the opponent’s body such as throat, groin, eyes and lower torso. Many movements and techniques in Wing Chun are often meant to be fatal.
2. Efficiency: Wing Chun does not use force against force, in order to gain the most efficient manipulation of the body's energy. It believes in accurately timed and appropriately positioned little movements, and counter-attack is based on the opponent’s own force. This concept is also called Contact Reflexes.
3. Economy of Movement: This is a linear concept in which movements are based on an imaginary pole running vertically through the center of the body. The Center Line spreads out from this Mother Line, and since most of the vital points of the body are located along the Center Line, many offensive and defensive movements are based on this line. The Central Line, on the other hand, is the shortest path between the fighters where most of the combat exchanges take place.
Wing Chun Forms:
There are three basic forms in Wing Chun:
1. Empty Hand Form: This form has three more sub-forms - Siu Nim Tao - the foundation of the art, Chum Kiu - focus on advanced footwork and entry techniques, and Biu Jee - extreme short-range or long-range techniques, low kicks and sweeps, and emergency techniques.
2. Weapon Forms: The Dragon Pole and Butterfly Swords are the two forms of weapons incorporated in Wing Chun, categorized under advanced training.
3. Wooden Dummy or the Muk Yan Jong Form: A dummy made from several wooden posts represents a human opponent. The contraption is used to perfect angle, position, and footwork.
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